little red jacket
 


 

 
 

GALLERY 1


NATURE'S INFINITE LAW - CHANGE

Change is paradoxically the only constant and dependable thing in life. It's how we respond and deal with the changes that is interesting, and to develop positive responses no matter whether the change itself is considered negative or positive. To 'go with the flow, rather than opposing it; to manipulate it, to one's advantage can be truly creative.

The Little Red Jacket project appeared challenging and provoking when first conceived, but soon the realisation that it provided an opportunity to create changing themes brought exciting inspiration. Indeed its very colour yielded some influence to what to photograph, and what scenarios to enact. The photographs are our offering with one significant item of red clothing, model, genre and location - integrating.

 

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Change and change again

 

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RED THE COLOUR OF LIFE  -  it's associated with action, vitality, impulses, desires and violent feelings.

Everything that encourages people to express themselves stems, so it's said, from the colour red. It is also a sacred, secret colour, because of its connection with blood: sacred, because ancient cultures regarded it as the very substance of life and the soul - those who lost their blood lost their life and soul - and secret, because the blood that flows through the veins and arteries is invisible.

Red is also connected to passion, of the extreme, often destructive, emotions and instinctive urges which men and women control as best they can; although these same human urges are regenerative by nature and essential to life and survival. Red not only indicates an awakening of the consciousness, but also the ultimate sacrifice, necessary for rebirth - as observed in red sunrises, and red sunsets.



Some may think that it's a shame that nothing ever stays the same,
that what is good and fine today may soon become another way.
You just can't count on things to stay the way they were just yesterday.
Seems contradictory and strange: the only thing that's sure is change.

               
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TRUE OR FALSE - MYTHS AND LEGENDS CHANGE HUMAN BEHAVIOUR


Friagaba the devilkin (daimon) Gaesatae ramhorned headed woman warrior. 1st century BC

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Legend has it that Friagaba's beauty could transfix an enemy instantly and turn a battle into utter slaughter. Changing her appearance was her key and in the belief that protection was assured from the gods by throwing off her clothes she always went into battle naked. Nakedness in battle was not unique to her, as other ancient warriors are recorded as following the same practice. Many advances towards enemy lines were done at walking pace, headed by Friagaba prolonging the mystical, erotic, and exotic scene until, helpless from hypnotic madness men just stood and died.   

Her reward from Beda, goddess of burial and righteousness of battle, for victory at Whroegen and annihilating the Rhywff Hordes was immortality. Her unclothed form was fashioned on battle shields, pennants and helmets and inspired many warriors to undertake sacrificial ends to enable their entry to her unearthly deity, desiring her divine and beneficial powers, destiny and protection.

It was Friagaba who first wore scarlet, a colour never before seen in Europe. A vivid red yak hide brought from Cathaian tanners in Sindifu far to the east by nobleman Dweduo The Intrepid was obtained by Friagaba by seducing him, and his gift, worth a king's ransom, became the icon of her indestructibility.  A doublet, basque-like and fashioned tightly to fit her body crafted by Owegdean, Mistress of the Vestments added a fearsome sight with its association with the daimon signalling evil intent. Disrobed before combat she became more distinct with naked olive skin, lime-streaked hair and slim features she became discernibly visible especially at sunrise, her favoured time for bloodshed. She would stride before polished shields held in-line to admire her own enduring beauty, and then with baton and sword in each hand walked forward ahead of the army into battle.

Many observers have chronicled that after combat she would be enveloped in blood; body painting concealing her elegant sensuous nude body. Her weapons often scarred and still clenched tightly in delicate slim hands that had despatched many souls to far domains were stained in blood a dull lustre compared to her doublet. She would bathe immediately surrounded by her warriors,  anyone who averted their gaze would be removed with a tortuous blinding awaiting them, because she believed all should see her. 

Her exploits spread from land to land, her impeccable beauty preceded her quicker than the wind across entire continents, and men fell at her feet like autumn leaves. She was scandalously indestructible and represented the daimon - the principle of destiny, whether good or bad, fortunate or unfortunate. The daimon was therefore the dispenser of destiny, but also a protective spirit, a good angel or what we would nowadays refer to as conscience.
Copyright Martin Billings Sept.2007



SCARLET LEATHER - THE LITTLE RED JACKET

Fame, as with Friagaba (sic), so too with Erica. In pursuit of notoriety for her little red jacket she seeks to win, as in battle the high ground, and excite passion from admirers. And to achieve success red leather is the chosen instrument. Red is divine, red induces vitality, and when coupled with nakedness the result is exhilarating.

 
 

 

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The characteristics of  matter whereby a  stationary entity
             remains  stationary unless  acted upon by an outside force.




TRIBUTE TO THE BARD


With other fashionable topics, such as pictures, taste, Shakespeare, and the musical glasses. Oliver Goldsmith  1728 - 1774 


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SPRING AND SUNSETS


Come, gentle Spring! etheral mildness, come.
The Seasons, Spring 1 - James Thomson 1700 - 1748

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'Tis the sunset of life gives me mystical lore,
And coming events cast their shadows before.'

Thomas Campbell  1777 - 1844


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I find earth not grey but rosy,
Heaven not grim but fair of hue.
Do I stoop? I pluck a posy.
Do I stand and stare? All's blue.

Robert Browning  1812 - 1889


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Talk not of wasted affection, affection never was wasted;
If it enrich not the heart of another, its waters, returning
Back to their springs, like the rain, shall fill them full of refreshment.

Henry Wadsworth Longfellow  1807 - 1882


 



A RENDEZVOUS AT CHASTLETON HOUSE, Gloucestershire

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The stately homes of England,
How beautiful they stand!
Amidst their tall ancestral trees,
O'er all the pleasant land.
Felicia Dorothea Hemans 1793-1835


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MOTOR MEET


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            Be wise with speed;
A fool at forty is a fool indeed.
Edward Young 1683-1765
(I guess he was not referring to mph)



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INTERNAL COMBUSTION ENGINE, SPEED AND...


The German engineer who pioneered the car and the internal combustion engine was Gottlieb Daimler 1834-1900, together with Wilhelm Maybach 1846-1929.

He produced a motor bicycle and in 1889 his first four-wheeled motor vehicle. He combined the vaporization of fuel with the high-speed four-stroke petrol engine.

Daimler built his first petrol engines in 1883. The Daimler Motoren Gesellschaft was founded in 1890, and Daimler engines were also manufactured under licence; a Daimler-powered car won the first international car race; Paris to Rouen in 1894.




RED FIELD POPPIES


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Summer set lip to earth's bosom bare,
And left the flushed print in a poppy there.
Francis Thompson 1859-1907


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But the iniquity of oblivion blindly scattereth her poppy, and deals with the memory of men without distinction to merit of perpetuity.
Sir Thomas Browne 1605-1682



 

NYMPH-LIKE IN THE FOREST


And the rose like a nymph to the bath addressed,
Which unveiled the depth of her glowing breast,
Till, fold after fold, to the fainting air
The soul of her beauty and love lay bare.

Percy Bysshe Shelley  1792-1822


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With eyes up-rais'd, as one inspir'd,
Pale Melancholy sate retir'd,
And from her wild sequester'd seat,
In notes by distance made more sweet,
Pour'd thro' the mellow horn her pensive soul.

William Collins  1721-1759 - The Passions



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I gazed - and gazed - but little thought
What wealth to me the show had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

William Wordsworth  1770-1850



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For she was beautiful - her beauty made
The bright world dim, and everything beside
Seemed like the fleeting image of a shade.

Percy Bysshe Shelley  1792-1822



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Nymphs and fairies

Nymphs are often encountered in woods and clearings, near ancient trees, on the edge of springs and pools, in the depth of imprenetrable forests, concealed by tall ferns and bushes, or shrouded in mist.

It also explains why they are the masters - or mistresses - of a particular place and are able to exercise certain powers associated with the great forces of nature and the elements.

A fairy is a supernatural being usually represented in reduced human form and generally depicted as playful, clever and invested with magical powers. These female spirits of the flora and fauna of Celtic Europe were the good spirits of our ancestors. They were particularly honoured by womanfolk who passed on, by word of mouth and from generation to generation, the rites, rituals and wisdom acquired over the centuries, particularly in the realm of medicinal plants or 'simples' - nowadays back in favour as herbal medicine and herbal remedies.

SAMHAIN - Summer's end, celebrated on 1st November; New Year's Day in the Celtic lunar calender. Traditionally, it was on this night that the fairies - heirs to the gods in that they were past masters in the art of magic and were sometimes evil and malicious and sometimes benign and generous towards human beings - left the visible world to return to their 'other world', the mythical kingdom of the SIDHE.

They were therefore particularly active and ubiquitous in the forests on the eve of SAMHAIN, and the Celts went in search of them so that they could dance, sing and get drunk with them, often naked, to celebrate their New Year and the passage of the fairies from one world to the next.

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Thoughtful moments while nude is what I like and more of us should do it. It's good for the soul, helps inner peace, and removes inhibitions.

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